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Committed to the music

Josep Pons - Conductor

“I experience music as truth, in each concert I experience an intimate emotion.”

With this deep commitment, Josep Pons has directed the Gran Teatre del Liceu since 2012, where he has made a career marked by passion and excellence. Over these years, he has promoted a refreshing take on the great repertoire of the 19th and 20th centuries, consolidating an artistic vision that thrills and transforms.

BIOGRAPHY

Upcoming concerts

Immerse yourself in Josep Pons’ discography: a musical journey that transcends, inspiring emotions and revealing the greatness of his musical vision.

See the whole agenda

Dates

Concert

ORCHESTRA

Location

Tickets

July 8, 2026

 

Orquestra Simfònica del Gran Teatre del Liceu
Platja de Sant Sebastià, Barcelona
July 9, 10, 12, 13, 15, 16, 18 i 19, 2026

GIUSEPPE VERDI: Falstaff

Laurent Pelly, stage direction

Orquestra Simfònica del Gran Teatre del Liceu
Gran Teatre del Liceu, Barcelona
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July 24, 2026

GUSTAV MAHLER: Symphony No.8

Orquestra Simfònica del Gran Teatre del Liceu
Gran Teatre del Liceu, Barcelona
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August 26, 2026

MAURICE RAVEL: Rapsodie espagnole

MAURICE RAVEL: Piano concerto in G mayor

MANUEL DE FALLA: Suite nº2  The Three-Cornered Hat

MAURICE RAVEL: The Jester’s Aubade

MAURICE RAVEL: Bolero

Orchestre National Capitole de Toulouse
Saint-Jean-de-Luz.
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August 30, 2026

BERLIOZ : Le Carnaval Romain

WEBER, orchestration by BERLIOZ: Invitation to the Dance

BERLIOZ: Symphonie fantastique

MANUEL DE FALLA: Suite nº 2 The Three-Cornered Hat

MAURICE RAVEL: The Jester’s Aubade

MAURICE RAVEL: Bolero

Orchestre National Capitole de Toulouse
La Côte-Saint-André
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Discography

Immerse yourself in Josep Pons’ discography: a musical journey that transcends, inspiring emotions and revealing the greatness of his musical vision.

See the whole discography

Jeux de miroirs

Berio Sinfonia

Goyescas

Sacre · Pétrouchka

Multimedia

Immerse yourself in Josep Pons’ discography: a musical journey that transcends, inspiring emotions and revealing the greatness of his musical vision.

See all

Reviews

“Here, Josep Pons makes a kind of symphonic summary of the score, tackling the key moments of this human tragedy. He deftly mixes the purely orchestral passages and those in which the vocal interventions are to a great extent supported by a very active orchestra… Josep Pons’ musical direction enthusiastically emphasizes the epic work in a display of orchestral dynamics, from the most delicate pianissimos to the tragic fortissimos.”

Classic Toulouse

January 2016

“During the whole concert, Josep Pons is as usual very efficient, the gesture is precise and the orchestra responds perfectly.”

Classique info

“Pons began the programme with a vital and warmhearted account of Stravinsky’s Scherzo à la Russe, and created an immaculately textured underlay for Frank Peter Zimmermann’s lyrically rhapsodic approach to the Brahms Violin Concerto…”

The Guardian

Georges Hall

August 2013

“Pons is not used to working with the SCO, and Falla is not a composer with whom they have worked very often; but exciting results can come from such circumstances, and so it proved tonight with an exciting, throbbing performance of both works that pulsed with Latin life and gleamed with Mediterranean sunlight.”

Seen and Heard International

Simon Thompson

December 2014

“In this superbly well executed performance, the BBCSO of smaller size showed what a first-class orchestra is. A great merit in this sense belongs to Josep Pons.”

Classical Source

Parsifal at the Teatre del Liceu “A transparent, meticulous and clarifying vision of the inexhaustible background of the score.”

Beckmesser

June 2023

“[…] The idiomatic baton of the Spanish maestro Josep Pons conjured an air of authenticity. His opening gambit, the brooding Interlude and sizzling Dance from Manuel de Falla’s unfairly neglected opera La Vida Breve, displayed an instinct for subtle grace and building dramatic tension.”

The Guardian

Clive Paget

July 2023

“Josep Pons duly brought out the drama of the initial pages of de Falla’s La Vida Breve, before heading into a rendition of the main section such as (rightly) predicated suavity over rhetoric, while not lacking for impetus as this music reached its effervescent close”

Arcana

Richard Whitehouse

July 2023

AGENDA